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ℎ− 2− ℎ− − 2 ℎ−

by Chantal Michelle

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about

Chantal Michelle's latest work is an immersive composition across four movements, originally presented as a multi-channel installation and reworked for stereo. As with her previous release on Dinzu, Michelle exquisitely captures the raw, elemental processes of the natural world – here evoking the layered, grainy textures of geological formations. The track's titles both denote these geological processes and describe the composition's sonic behaviors and trajectories, conceptualized as a metaphor for the breakdown of love.

Michelle is joined by Joanna Mattrey (viola) and Lea Bertucci (alto saxophone), whose instruments chart melodic paths across these textures. These melodic figurations do not function as structural markers in the piece, nor do they merely elaborate the underlying texture; instead, they offer an alternate perspective of its dimensions: emerging as a kind of after-image of the seemingly static object, or the object's memory of its own dynamic state of becoming.

ℎ− 2− ℎ− − 2 ℎ− is a standout accomplishment in Chantal Michelle’s ever-growing oeuvre.

credits

released April 12, 2024

Chantal Michelle – composition, feedback, synthesis
Joanna Mattrey – viola
Lea Bertucci – alto saxophone

Mixed by Chantal Michelle & Rupert Clervaux
Mastered by Giuseppe Ielasi

Cover art by Matthias Urban

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about

Dinzu Artefacts Los Angeles, California

Dinzu Artefacts is focused on the contemporary art of sound by musicians interested in experimental practices, modern composition, improvised music, noise and field recordings.

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