Pulse, Puls-ar, Procession, by Chantal Michelle

Pulse, Puls-ar, Procession

by Chantal Michelle

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caapi A deeply seductive score that imprints on the subconscious. Carefully composed layers of classical instrumentation and intriciate field sounds paint an intense and foreboding energy, cinematic and totally captivating.

Bob Corrigan This album will slow-burn its way into your bones. Outstanding.

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of ℎ− 2− ℎ− − 2 ℎ−, Riverside Ishiyama, Looking For A Ruler, New Rudiment Candidates For Snare Drum, Transmissions From The Radio Midnight, Fen, This Is What People Think Mountains Look Like, Hatomatsuri, and 91 more. , and , .

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Pulse, Puls-ar, Procession 24:02

about

A sweeping composition for instruments, field recordings, and electronics that seems to gather and reflect the forces and creative impulses of the world. Originally realized as a quadraphonic piece, it has been reworked for stereo as a 24-minute study for a piece conceived to be without end.

For water, granite, limestone, calcareous soil, tenor saxophone, violin, feedback, decay, distortion.

credits

released November 18, 2022

Chantal Michelle – Field recordings / electronics / feedback
Alina Maldonado – Violin / electronics
Brian Allen Simon – Tenor saxophone

Written, recorded, and mixed by Chantal Michelle in Annandale-on-Hudson, New York

Mastered by Giuseppe Ielasi

Photography by Devin Blaskovich

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Dinzu Artefacts Los Angeles, California

Dinzu Artefacts is focused on the contemporary art of sound by musicians interested in experimental practices, modern composition, improvised music, noise and field recordings.

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